There's fun to be had if you can accept Spanglish's dubious relationship to the actual universe.. The movie is what in Hollywood they call 'character-driven,' and it does take its sweet time. But much of that time is sweet indeed.. The film too often seems to be talking down, to its subjects and to its audience.. Brooks, fumbling around with too many characters and too many issues, can't find the heart of the story or give heart to the part of it he chose to focus on.. Sometimes Brooks's ideas a...
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